Conference paper
Society for Caribbean Studies: Annual Conference
Crises have disrupted life on the Caribbean’s largest island since the Cuban Revolution triumphed on New Year’s Day 1959. From the CIA-sponsored Bay of Pigs invasion in April 1961 to the Cuban Missile Crisis in October 1962, to the collapse of the USSR and the 1990s “Special Period,” Cuba has hovered between crisis and survival. Now in the Revolution’s 64th year, ongoing shortages in a centrally planned economy ravaged by the US trade embargo manifest themselves in sustained power outages and high prices for unrationed food. Numbers abandoning the island for the United States have rocketed in recent years, with a record-breaking mass exodus of over 300,000 people arriving at the US border in 2022. Artistic responses to crises have been central to their portrayal both inside and outside the island, in turn shaping the way the country is perceived in the global imaginary. Drawing on practice-based research informed by interviews with academics, curators and visual artists, recent curatorial and photographic projects, and fieldwork carried out in Cuba, this paper will explore challenges and potentials relating to creative practice, storytelling, and visual culture in the context of Cuba's deep economic crisis.
Read more about James Clifford Kent’s ongoing longform NHMN project here.